So, our objective was to get it short enough to be able to get it onto two albums, and some things suffered for that.” Not so much here, where they compress the shit out of it, but also signal-to-noise level gets worse and over 25 minutes you’re beginning to suffer quite distinctly. Every extra minute, you lost a db, one db of level when it’s being played on the radio. It wouldn’t matter so much today, but with vinyl, there was a finite limit of about 21 minutes a side. Other songs - ‘Run Like Hell’ was chopped to bits, really. “The whole side three bit with the orchestra all got shortened radically. A vehicle for Roger to say something was lost, but nothing particularly musically important went out. It didn’t matter too much to me ’cause it was the same track as one of the other tracks it was a virtually identical track with different lyrics. “It’s always a shame when you have to chop things down and lose stuff, and we had to lose some stuff. In a 1993 interview for Goldmine magazine, David Gilmour revealed more specifics aboutsome of the cuts made. That way we could start to get our heads around the shape of the story.” Guthrie explained, “ began by arranging and recording the most complete songs.
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Material that was not fully fleshed out at the time and that wasn’t deemed essential to the story was cut or put aside in order to focus on a streamlined story line. Right away, tracks were sorted, prioritized, and approved to help build The Wall narrative. So immediately, they began to chip away at The Wall. Toward the end we were actually cutting chunks out of songs to fit the time. “The only problem we had was reducing it down from a triple-album to a double-album - the length of songs and all that. In a 1984 interview for Guitar Player magazine, Gilmour talked about removing sections of songs.
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The first order of the day was to determine how best to tell his story in a more manageable, double-album format.” We began work in the studio that October and, as Roger had written about 3 albums’ worth of material. “Roger, David, Nick, Rick and I had been living with Roger’s original demo recording of The Wall during the summer of 1978. In the liner notes for the excellent Immersion edition, The Wall Co-producer and Engineer James Guthrie recalled, As it was, we had to struggle to get it on a double album.” “The idea of The Wall was so big and there was such a lot of stuff that Roger wanted to get across lyrically that there was no other way to do it, really. In a 1982 interview, Pink Floyd guitarist David Gilmour alluded to a wealth of unused material. Although it was widely assumed early on that The Wall was to be a double album, as late as Jwell into recording and production, New Musical Express magazine was still reporting that it was expected to be released as a double or triple set.
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Bricks In The Wall, Roger Waters’ original demo for the project, while rough, contained enough material for over two albums. With the screenplay, we had a real framework for how things would go, and it proved crucial.”įrom the beginning, The Wall was edited, trimmed, refined and cut - a normal process in the creative workflow. We’d mark those “TBW” - “to be written.” “Comfortably Numb” was a TBW song. “We laid down the bits of music we had from the demo, and obviously there were songs missing, bits of the script where we didn’t yet have a song. “The next day in the studio, we made copies of the script and handed them out, and we all sat down for a table read.
Pink floyd the wall album review movie#
I closed my eyes and wrote out the movie that would become The Wall. “I started writing, and in the process of doing that I began to realize, “I’m writing a script.” It took one night in my flat in London. We started to separate out the pieces, and when we looked at the storyline we realized what we needed was a through line, something to get us from start to finish. “In the beginning we had a very long demo that Roger had written. In a 2013 interview for, co-producer Bob Ezrin recalled the early days of The Wall and sorting out Roger’s demo, There is a lot of evidence - written, verbal, and musical - that this was not the case with one of rock music’s most spectacular works. In most cases, a band with the cachet of Pink Floyd releases the album that they want, as it was intended to be heard.
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Pink Floyd The Wall is an incomplete masterpiece. With a final running time of 81 minutes, that’s at least 10% of The Wall that’s missing. At least 8 and half minutes of music were cut from the album.